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Mr. McCain should be required to see “Wall-E” to learn just how far adrift he is from an America whose economic fears cannot be remedied by his flip-flop embrace of the Bush tax cuts (for the wealthy) and his sham gas-tax holiday (for everyone else). Mr. Obama should see it to be reminded of just how bold his vision of change had been before he settled into a front-runner’s complacency. Americans should see it to appreciate just how much things are out of joint on an Independence Day when a cartoon robot evokes America’s patriotic ideals with more conviction than either of the men who would be president.

http://www.nytimes.com/2008/07/06/opinion/06rich.html?_r=1&pagewanted=2&oref=slogin
watertank: (Default)
Bernardo Bertolucci. The Dreamers (2003).

пожалуй, самое лучшее кино, которое я видел за последние пару лет. ну, вот разве что Симпсонсы недавно порадовали.
watertank: (Default)
Dr Lane says: 'The movie industry seems to have settled on a shared concept; don't sell the movie, sell the anticipation of it. Create a frenzy of interest in a movie and then release in large volume which converts that 'hyped' interest into sales very fast. This can leave movie-goers standing outside the cinema in the rain thinking "That wasn't really very good". But a ticket has been sold. If they liked it, even better. They can tell all their friends about it and more ticket sales will follow.' http://www.lse.ac.uk/collections/pressAndInformationOffice/newsAndEvents/archives/2005/Film_Marketing.htm


A good example of using hype cycle techniques to achieve positive results.
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Familiar events that are understood immediately, as well as events that bear no relation to the infant's knowledge, even though they are perceptually discriminable, are studied minimally. The longest bouts of attention occur toward events that share elements with the infant's knowledge. ... Put plainly, the interest of infants, like that of adults, is usually recruited by events that differ only a little from what is familiar and therfore are understandable with some effort. It is not a conicidence that thirty years of research on the brain reveals that discrepant and unexpected events are among the most reliable causes of activity in neuronal circuits.
Claude Shannon, the father of information theory, formalized the idea that humans are most likely to be alerted by events that are unexpected. This powerful yet simple principle applies to every aspect of psychological activity. ibid. p. 79.


compare with scene transitions in movies: there's always some gradual flow of characters from one scene to another.

comics would be another example. human-like aliens. exagerated similarities between dogs and their owners.

also, relates to expectations as described in "Happiness is a serious problem".

nb: introduction of new concepts has to be carefully staged.

Vertigo

Jan. 30th, 2007 02:07 pm
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INT. AN APARTMENT ON RUSSIAN HILL - (LATE AFTERNOON)

It is fresh, light, and simple, and crowded with books,
phonograph records, pictures. The most striking feature of
the apartment is the view: The rising hills of San Francisco
framed by a large picture window.

Vertigo, script. 1957.
watertank: (Default)
         
                           MALCOLM
		 Maybe they wake up that morning
		 thinking they have a thousand
		 things to do and a thousand days
		 left to do them in...  And then
		 all of a sudden, it's all taken
		 away.  No one asked them.  It's
		 just gone...

On the plane, as usual, I made a tremendous personal discovery. After weeks and months of wandering in the dark among pictures and sounds I finally figured out what movies are made of and how they work. It'll take me a while, though, to digest and formulate the concept, but I am absolutely sure I am on the right path. I am so happy! I am so happy!
But I still have to verify the hypothesis. Darn! Hate science ;)
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it appears that modern innovation theory cannot be [straightforwardly] applied to full-length feature movies ( due to their life-cycle characteristics, e.g. short intro period, limited improvement options, etc. )... just wrote this and realized that it is not completely true. if we assume that subsequent releases are part of flfm evolutionary process, then some of the approaches might work after all.

on the other hand, tv series have much better new product life-cycle characteristics, which makes them a fascinating object of a patterns of innovation study, esp. wrt control points.
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At a Churchill Club event on July 27, a group of movie industry executives discussed the emerging digital age of cinema. Issues surfaced included the changing relationships between studios, filmmakers, and the audience, as well as major trends and new business models driving the future of cinema. The panelists included:

* Randal Kleiser, president, Randel Kleiser Productions and director of Grease, The Blue Lagoon, Honey I Blew Up the Kid, Lovewrecked
* Bob Lambert, senior vice president, Worldwide Technology Strategy at The Walt Disney Company
* Tim Partridge, senior vice president and general manager, Dolby Professional Division at Dolby Laboratories
* Jerry Pierce, senior vice president of technology, Universal Pictures
* Todd Wagner, CEO, 2929 Entertainment

podcast download: http://i.i.com.com/cnwk.1d/i/z/e/200607/0727_ChurchillClub_DigitalCinema.mp3

January 2023

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